Sue Nguyen Sees No Ghosts

Brandon Barrett

Sue Nguyen told me she’s an anomaly in her family. They’d immigrated to San Francisco from Vietnam by way of Singapore. Mother, Father, Anh (later to call herself Sue), sister Diu, Grandmother, and maternal Aunt, all bunched atop each other in a dismal apartment across the street from the deli where Father worked. A hand-to-mouth existence, it would seem, but the real tragedy in Sue’s life was that she saw no ghosts.

The female lineage had been seeing ghosts for generations. Decades of ghosts in the alleys of Hue, later soaring in the skies above Singapore, splashing in the ship’s wake all across the Pacific, skulking about the San Francisco tenement. Grandmother was a particularly accomplished communicator with apparitions, conversing at length with Grandfather every evening, planning the details of tomorrow’s activities. “I will make coffee, you will open the windows,” she murmured. “I will wash the cups, you will bring the paper in.”

Aunt specialized in the infamous: Ngo Dinh Diem came when Aunt called and would answer questions posed to him and was unable to lie, and once she asked Rasputin the secrets of his powers and then fell quiet and withdrew, refusing to speak for three days.

Mother, for the longest time, rarely saw ghosts — mostly quick takes of spectral cats traversing ceilings — until Father passed. At that point the gift blossomed thoroughly in her, and she was visited frequently by skeletal forms wearing white suits. It was not described whether Mother was a reader of Tom Wolfe. The skeletons lived in the apartment in parallel with Mother, drank from wispy cups and slept in invisible beds.

Diu, two years older than Sue, was born simple and learned only rudimentary language, and from age five onwards directed her speech (incomprehensible babble and laughter) exclusively toward individuals not present, leading the family to conclude that Diu saw only ghosts.

But for Sue, not a glimpse. She confided to her father, one time only, her shame at this deficiency. He hugged her and whispered in her ear: Don’t you ever worry about it. You take after me. And he looked at her for a while with love, smiled and seemed ready to cry, and started to say something else. But then Aunt passed through the room and squinted, and that was all he ever said about it. Anyway he died a few weeks later.

With Father gone, her deficit became ever more apparent. It never seemed that Father outright disapproved of discussing the talent, but following his passing the phenomenon shifted from the periphery of their lives right onto center stage. Grandfather’s spirit was now joining them at the dinner table, which he’d never done before. Franklin Roosevelt — via Maternal Aunt — dominated an entire night’s conversation with his postmortem views on the role of modern Vietnam on the world stage. Even Diu’s incessant garble seemed more insistent, awakening the family at night with outbursts of shrieking horror and laughter, alternating in the same breath. And Sue spent less time at home — a place increasingly frenetic with the activity of ghosts she could not see — and more time reading at the library or sitting in the park late into the evening.

Time passed. Sue started high school and found a niche for herself in the world of home economics, cakes and quilting and whatnot, even going so far as to join an unofficial, unfunded Homemakers Club. She’d been invited by a nice pudgy girl named Emily who was timid and shrinking in the way of nice pudgy fourteen-year-old girls the world over, and whom Sue would thank in the dedication of her first cookbook years later. Emily was her first friend, and there was initially a soul-wrenching confusion as to whether Emily was a lesbian or not, or for that matter whether Sue was a lesbian or not. It’s unclear if this ever worked itself out.

Sue and Emily walked to the bus stop from the Homemakers meeting one evening, which had consisted of five adolescent girls deciding that virginity until marriage was a good idea, and Tracy was going to report back as to how vichyssoise is pronounced. They said little on their walk, but finally Emily asked where Sue lived, and offered that she’d like to come by sometime, if that was okay, and they could make some brownies or something, if Sue wanted, or if not then that would be fine too. And Sue said, Yeah, maybe, I’ll let you know, and jumped on the first bus that came by and went fifteen minutes in the wrong direction and cried and wasn’t sure why.

She got home late. The front door was locked and nobody answered, although there was a fair amount of racket from inside. She fumbled for her key and pushed the door open. Diu was rocking on the ground in the living room, pointing at the ceiling and screaming nonsense, syllables drawn out to the very end of her breath. Grandmother paced from the living room into the kitchen and back, looking over her shoulder and crying in Vietnamese: It was your fault, you were never home, what was I supposed to do? Maternal Aunt was scribbling on the living room wall with a pen, stopping every few moments to cock her head and listen for instructions. Mother, unable to live with the ghosts any longer, had slit her wrists hours prior and bled out in the corner of the kitchen.

Sue stood in front of her mother, blood spreading out underneath the body like a shawl, maybe like the one Sue had sewn last week and given to Emily as a gesture of who-knows-what-exactly. Mother’s eyes were open. Grandmother passed by behind Sue every ten seconds, brushing up against her. Sue’s first coherent thought was: maybe now I will see Mother’s ghost. The passage of time has not borne this out.

BRANDON BARRETT is a practicing cardiologist, originally from the Oregon and now living in rural Virginia with his wife and son, writing in his spare time. He has been published in the Literary Review.

When the Bees Came

Abbey Kos

When the bees came they chose Harpa because it looked like home. People think of honeycomb as yellow, but it doesn’t start out that way: virgin wax is clear as windows. It only darkens after worker bees eat it and sick it out, eat it and sick it out.

The first time I saw them I laughed. You know I’m afraid of regular ones, but there’s something about a five-meter bee that just gets me. You can see how clumsy they are, how gentle. Their stingers could cleave someone in half, but it turns out humans are too small to threaten them. They mostly just ignore us.

I was there the day the bees showed up. One moment there was Reykjavik like I knew it, and then there were these noises, low and high, blending, tuneless. (It was the buzz, of course, the sound of their wings.) And then we saw them at the horizon, rising like old gods.

I laughed, but everyone else screamed. There was a lot of running. People like to say the bees blackened the sky that day, but I was there and the swarm was really only a thousand or so. There’s no need to be hyperbolic about things.

They headed straight for Harpa like they knew it was there, and watching them take that place was the most beautiful thing I’ve ever seen. Every window was the right size and shape for a brood cell, so the bees just started building up and out. Within two months Harpa was swallowed. It became something new, something organic and strange.

Nowadays people hardly notice the bees anymore. We harvest their body heat to warm our homes. We export honey and candles. And in spring we take our children to Harpa — we can still get through the doors, you know — to watch life growing on the other side of the windows. We say to them, look: an egg the size of a globe, a grub as big as you. We say to them, listen: God did not make this world just for you and me.

ABBEY KOS is a writer and editor living in London. She was raised in Ohio and attended Hiram College and the London School of Economics. Her work has appeared in the Washington Post, The Daily Meal, and Jezebel.

Western Dark

William Ables

The dead loved Dwight Eisenhower, they went crazy for him back in ‘56. Had the deceased been registered voters (or had Ike been a Kennedy), they would have cast hordes of ballots to keep the President in office for eternity.

Charles and Anubis were driving across the country. Charles was a middle-aged-looking man, slightly pudgy around the middle with a constant five o’clock shadow that refused to be shaved. Anubis was a rat terrier; Charles had rescued him after the dog had wandered out into the middle of I-40. Anubis was half starved and all mean when Charles managed to calm him with a bit of leftover Quarter Pounder. Anubis had hopped up into the passenger seat of Charles’ big-rig and never left. They lived on the open road and they always drove west.

The pickup was waiting for them in the middle of nowhere. It was a young girl. She was a short and skinny thing, dressed in a white christening dress that floated along the roadside. The tall spidery lights in the median winked in and out as she passed by them. Charles pulled to a stop just beside her; the right lane was empty, and there wasn’t anyone else on the road yet. He swung open the passenger door and frowned when it creaked ominously. He loathed theatricality.

Vote Ike was practically a motto for the deceased and it was all because of the Eisenhower’s National System of Interstate Highways. Before the new sparkling system of roads, the specters of America had been forced to wander, looking for familiar landmarks and wailing for someone to give them reliable directions.

“My name’s Charles,” he said.

“Where are we going?” she asked as she settled into the big passenger seat. She was already fluctuating in and out of touch, her eyes looked like faded Polaroids.

“West,” he said. “Always west.”

“What does that mean?” she asked.

He pointed out over the steering wheel, pressing a smudge into the glass of the windshield, “Towards the sun. Don’t you think it’s wonderful to catch it from over the edge out there?”

The girl was frowning, her face scrunched up in the look of a child who thinks she is being treated like one. “It’s night. The sun is gone.”

“Not everywhere,” he said. Anubis came bounding up off the floorboards and onto the girl’s lap. He spun in circles until she started scratching behind his ears; he was sleeping again before he curled up.

“What’s his name?” she asked.

Charles smiled like a father. “Anubis.”

She nodded and kept petting him; Anubis was murmuring happily. “Like the Egyptian guy?”

He nodded. “You’re smart for your age, aren’t ya? The old, old Egyptians used to believe it was Anubis who weighed a person’s soul after they died.”

“Why?”

Charles ran a hand along his jaw, an affectation when he was thinking, “Well, to see if they were worthy, I suppose. I’ve always said any dog can do that. Measure a person, I mean. Don’t need no magic god-dog to do that.”

Ghosts need to commute, unfinished business travel is the top vocation for a deceased person. The dead need to, have to, get where they are going.

“What are those?” she asked, looking down the road ahead.

Outside Charles’ windshield the highway was coming to bustling life. Lights, most of them alone, drifted along the side of the road. Occasionally there were pairs, sometimes there were groups. There might be dozens when something sad had happened, hundreds when something unspeakable. On rare nights there was nothing but the road. Those were the worst, he thought.

“Not everyone can see them,” he said.

“You didn’t answer my question.”

He sighed. “They chose to walk. Mostly it’s adults; old folks.”

“Old people get to do everything,” she said.

“Everyone gets to do everything.” He meant it to be comforting.

The first freeway cement was poured in Kansas and Missouri; from the heartland freshly liberated ghosts began to cruise all over the nation. Spectral Cadillacs and Studebakers cased the open roads where they left flesh and bone drivers in their dust, haunted by the experience. The familiar haunts belong to another era.

“How about we see what’s on the radio? I bet that will help.”

Charles spun the radio dial, cruising through rustling static. He twisted it all the way to the right and the two speakers came to life. Waves of rhythm came in low from just over the horizon; the beat sounded like it was skipping along the surface of a lake. Charles wondered what she heard. A lot of them said it was like a heartbeat in the middle of the night.

WILLIAM ABLES is a writer from Tennessee where he currently lives with his wife and their two dogs. His fiction has appeared or is forthcoming in journals such as 99 Pine Street, Pidgeonholes, and Slink Chunk Press.