The Geese Are Back (in Town)

Iain Grinbergs

They often wander along the artificial lake and ruffle their way through the small beech-colored field behind my rented apartment. I still wonder what they eat. I could look it up, but sometimes I’d rather not have an answer. I wonder, too, how they stay warm here in a North Florida winter—their feathers don’t seem adequate. But who am I to critique creation? God, I hope this poem doesn’t sound like a knock-off Mary Oliver. But if that’s what I’m worrying about, I’d say, for now, I’m doing quite well. Often, though, nothing ever feels enough. I hope I don’t sound dramatic, but I’ve looked up assisted suicide. You need to join a Zen monastery first. I’d just like to go out silently, not cause any fuss. I’d just like to disappear into myself like a mindful black hole. I’ve lived long enough to know that to get through the day, we must count small successes, like how I’ve stopped picking my right thumb; how, at this moment, I do not crave alcohol.

 

IAIN GRINBERGS (he/they) is a PhD student in creative writing at Florida State University. He’s a finalist for Black Lawrence Press’s Fall 2021 Black River Chapbook Competition. You can find his recent work in Wilderness House Literary Review and forthcoming from Ghost Parachute and Juke Joint.

Expectation Nightmares

Yash Seyedbagheri

every night,
I’m in a car
and I’m cruising faster and faster
the steering wheel is impotent
like rubber
and the horns blare
among all the exhaust
faster, faster, faster

and I’m at a party
where mustaches bear into me 
telling me what to say, how to do it,
but I have to go to the bathroom
one jiggle of a toilet handle
and the room explodes
with only the frowns left
in the dust-covered clouds
I can’t even flush 

 

YASH SEYEDBAGHERI is a graduate of Colorado State University’s MFA fiction program. His stories, “Soon,” “How To Be A Good Episcopalian,” “Tales From A Communion Line,” and “Community Time,” have been nominated for Pushcarts. Yash’s work has been published in SmokeLong Quarterly, The Journal of Compressed Creative Arts, Write City Magazine, and Ariel Chart, among others.

Planet of the April Issue

person in green jacket and khakis sits on the middle of a daisy as if it is a large cushion

We have raindrops in our fur, pollen in our snout, and a Simon & Garfunkel song in our heart. Better still, seven extraordinary caterpillars have laid their eggs on the leaves of our eleventy-sixth issue. Through the magic of spring, each one can hatch inside your brain and flutter over the fields of your imagination on glittering butterfly wings. Cover art by Anja.

Admire it online or gaze rapturously at the .pdf.