Waterloo

Nikki Williams

He swaggered along the lip of the pool—she held her breath, knew what came next. 
The noise that could destroy daylight, could shake you awake.

The walls watch her clear the breakfast things, never her thoughts. Her hopes hang like ghost-grey fog. Seasons cycle on.

She sits alone under berried limbs, her bare legs blanketed by blackness, the crickets’ ceaseless song spilling into dusk.

Then, footsteps on gravel. One turn too many.

Sudden flurry of movement, black flash against the black night. Her red eyes swallow the perfect sluice of white.

His voice booms—unclear, unintelligible. Words that no longer matter.

 

NIKKI WILLIAMS is a copywriter and music critic. Her work appears in The Citron Review, Ellipsiszine, Sublunary Review, LEON Literary Review, Sky Island Journal, Literary Yard, PreeLit, Nymphs and New Pop Lit. She munches trail mix and takes stunning photos when not busy writing. She tweets: @ohsashalee / See more: linktr.ee/writenowrong

tyrannosaurus morning

Rob Yates

put the orchids down there
            and watch out for the spine.

it came up in the night like that memory
            you hug far too tight

but when the singing cuts out
            there’ll be song, loud enough to cook with.

whitewater of the soul, fugue with scales and tongue, 
            joke upon joke collapsing like an accordion. 

prevention of sleep, steps in the wrong mud,
            the drip drip drop of manna on marshland.

you’ve disturbed the undergrowth again
            with your unclipped feet.

red clots left from the open sky burial
            even the kites won’t feed

to their monstrous young – prepared for life,
            wheeling for death, the flat music 

of merry-go-rounds, dissonance as tonic,
            mistakes made with harmonic intent,

a magazine no longer in print,
            a printed date, the inner stone, a thunder that precedes its maker,

old train approaching long distance through the day before
            tunnels of smoke and the stamping of bulls 

and leave the orchids on the side, right there,
            next to the rest of the morning.

we can always turn them into something else,
            soon as I get this reptilian bear

back in its cage. don’t help me, I’ve got it. 

 

ROB YATES has appeared as a bookseller, a bartender, a casual gardener, and a charity worker both at home and abroad. He originally hails from Essex but is currently journeying through New Zealand. Some of his work has appeared in Agenda, Bodega, Envoi and other literary magazines – he tries to keep everything under one roof as much as possible via www.rob-yates.co.uk.

From our autumn-atons to your living brain . . .

Cover of issue 118

We’ve got spice cookies on the hearth, apple cider in the cauldron, and cozy slippers on our hooves—and you know what that means. That’s right, gentle weirdos; it’s time to climb into your oversized yard skeleton’s lap with a checkered blanket and snuggle into that autumnal feeling as you turn the leaves of our 118th issue. Metaphorically speaking. Unless you printed it out, I guess. Or hand-painted all the words onto the backs of autumn leaves. Which is a pretty cool idea, honestly.

Anyway, ’tis the season for death verses, and we’ve got two real coffin-bangers for you: Jessica Lee McMillan’s “Funeral Flowers” and Chris Bullard’s “La Poesie Me Volera Ma Mort.” Looking for a story that gets kid logic and motives just right? Check out Ryan Warrick’s “Skulliosis.” And in a true spirit of something-for-everyone-ness, we are pleased to furthermore present Christopher Collingwood’s “Worlds Crossing the Palm of Reality,” a virtually poetic speculation; Greg Sendi’s “A Compass for Ariadne,” a poignant reimagining of a Classic myth; and Alexey Deyneko’s “Comma fortissimo,” a musical meditation on punctuation. 

It’s a bountiful harvest, friends. Reap it online or pick the .pdf. And be sure to roll your wheelbarrow up to the incredible cover art, Richard Duijnstee’s “Elephant Smoking.”