Janu-weary but Still Standing

January 2022 Cover

According to the calendar my three-year-old picked out—the first month has a picture of a feathery white kitten beside a black rabbit with striking blue eyes—it’s 2022 now. I was hoping Jonathan Swift would write the introduction to our one-hundred-and-fifteenth issue, as his satiric sensibility is well suited to such times, but my attempts to contact him via planchette have turned up only a series of squashy loops. [Side note: it’s possible that his comment on our present situation is “eeeeeeeeeeeeeeeeeee.” And if so, it’s apt.]

The January issue begins with the delightful imagery of James Croal Jackson’s “Little Cartoon,” a poem that packs a lot into its twenty-two words. Next, Jessica Klimesh brings humorous subjects to life with “The Start of a Bad Joke.” After that, take a surreal ride on Nikolaj Volgushev’s “Subway” and find out what mysteries await “Inside the Last Cinnamon Raisin Bagel” with Benjamin Davis. Conclude your tour with Harsimran Kaur’s poem “She,” a celebration of ordinary pleasures that feels like a blessing for the start of a new year. This month’s creepy AF cover art comes to you from our Production Editor, Sam, and some A.I. Gremlins.

As always, thank you for reading. Try to be kind to strangers and animals. And strange animals. Leave books and neat rocks in unexpected places for others to discover. Take a walk, if you like walks. Or a nap, if you prefer naps. Make yourself a nice cup of tea and stare out the window for a while. Eat a spoonful of butterscotch sauce. You deserve a treat.

Crinkle it online or rustle up a .pdf.

The Pumpkins Are A-Plumping

Tentacles slither out of drain holes

The cauldrons are a-bubbling, and the trees have made themselves all pretty: let’s do this. Welcome to Issue 114!

Jennifer Ruth Jackson kicks things off with a poem that perfectly merges season and mood, “Inertia of the Noon Wraith.” I have no better hook for Seth Geltman’s “Might Have to Lose It” than his one-sentence cover letter: “It’s about a prickly flag salesman who gets attacked by a cat in a Subway restaurant.” Next up Gale Acuff’s speaker explains “There’s nothing I love better than Jesus” (with a few small qualifications), and Colin Kemp tells of a frugal liquor store patron’s memorable encounter with “The Garbanzo Gangster.” Joe Bishop delights with sound and unexpected imagery in “Medley for My Banshee,” and L. Breneman shows how a glitch in the matrix isn’t always a copy cat; sometimes it’s “The Songbird Thing.” Plus creepy cover art “Dark Monster” by D1/The One.

Isn’t October just the best? Frighten it online or scare up the .pdf.